Programs Including The Duffer Brothers' Hit and The Survival Drama Are Growing Overstretched. I'm All For the Limited Show

It's an all-too-familiar feeling. Season two of your beloved TV show has just begun streaming, and your mind is full of hopeful expectation. The debut season ended with such precision: narrative threads were dangled enticingly, and a main character had – cliffhanger! – been offed (or had they?). During the hiatus, you were perusing Reddit threads with dedicated fans to find some Easter egg clues pointing toward upcoming twists.

But the new season opener falls flat. The writing appears robotic and uninspired. Cut to the second episode, your favorite cast member has done something that fans unanimously declare inconsistent. By episode five, the writers appear to have memory loss around the storylines aggressively signposted in season one. And by the disappointing finale, you long for an earlier termination.

The Downside of Too Many Seasons

Wanting a series to end early is often late realization; audiences frequently rally against early axings. Consider Kaos, a clever mythological satire with Jeff Goldblum, axed by Netflix because of weak audience numbers. But perhaps these fans will rest better with the knowledge their enjoyment of the series won’t have been muddied by a sophomore slump.

Reflecting on Yellowjackets, I prefer it had remained a self-contained narrative. The debut offered a richly imaginative setup, and every episode hit the right marks. A 1996 plane crash strands a female soccer team in wilderness. Top-notch cast members (featuring Juliette Lewis, Lauren Ambrose and Sophie Thatcher) portrayed the team then and now. Several prize nominations followed, producers originally mapped out a five-season arc to fully explore the narrative. But last week, it was announced that it would end with season four. And as a fan, I let out a sigh of relief.

The Stranger Things cast returns for season five.

The show has made narrative choices that have undermined its heart. Instead of focusing on the survivors' reintegration, and their coping with awful experiences, the story grew padded and excessive. This involved a wearying pattern of introducing peripheral figures (such as Shauna’s two-dimensional daughter Callie) who did nothing for the broader story. It’s frustrating, and as a viewer, it is depressing to see your favorite show morph slowly into a hate-watch.

A Growing Trend

Yet this issue extends beyond Yellowjackets. Programs including Emily in Paris, House of the Dragon, Squid Game and Stranger Things have lost the shock of the new, and fallen headfirst into expected or comfortable cliches. At times, programs must stop while successful.

Actually, benefits come from self-contained series. Considering Sharp Objects, I May Destroy You, and Adolescence, TV creators know when to stop when the story has naturally reached an endpoint. However, the magic fades with series like Big Little Lies, originally a limited series, come back for more and more with diminishing returns. Perhaps Adolescence's team reconsidered a second season.

The Perfect Example

I wish Yellowjackets could have been a one-and-done series, living rent-free in our imaginations, mysteries intact. My top series ever followed this pattern. This beloved 90s drama, the perfect 90s teen dramedy, ran for just one year yet felt epic in scale: the roles were challenging and multifaceted, the visuals were beautifully seasonal, and the dialogue was untethered from the normal “teen speak written by a 35-year-old” trope. The conclusion provided no neat resolution, but this reflects truth appropriately of adolescent uncertainties remaining perpetual. Following 18 excellent installments (plus one weak one), I felt devastated and created my own continuation to resolve lingering mysteries. Despite existing on obsolete equipment, it demonstrates television's powerful connection.

The Special Relationship

If TV creators can remember the sacrosanct relationship between viewers and shows, more series can conclude appropriately.

  • Priya Elan writes about the arts, music and fashion.
Curtis Martin
Curtis Martin

Maya Chen is a digital marketing strategist with over 10 years of experience helping businesses scale through innovative online campaigns.